《干草车》那段出现的拼图小道具我很喜欢,好几幕康斯太勃尔的画和自然风景的切换也是赏心悦目的,特别喜欢索尔兹伯里大教堂那段,小哥坐在草地上谈画的镜头好帅呀。以前简略刻板的印象里透纳的自然景观是澎湃狂乱的、康斯太勃尔是日常淳朴的(就看过几张代表作),但是看布莱顿链条码头这个同题创作,觉得之前的判断太过片面,Alastair的纪录片总是能给我带来新的东西。
无论生前生后这位都是在法国更受追捧,可能法国人看多了各种人物画,觉得风景画很创新吧,这位的画风也启发了后来的巴比松画派
It's the business of the painter not to contend with nature, but to make something out of nothing, in attempting which, he must almost of necessity become poetical.By Constable
In one of the lectures that Constable delivered towards the end of his life,organised by his friend from Brighton, Michael Faraday,he said,"Painting is a science and should be pursued as an enquiry into the laws of nature.Why,then,may not the landscape be considered as a branch of natural philosophy,of which pictures are but experiments?"
我想看这部电影 2015-05-04
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