充分说明了女孩子一个人出门的危险,以及随意惹女孩子的危险www
Feel like I was watching two different movies going in different directions in this film but somehow connected in a very vague way. Obviously, the labor and sexual exploitation of common people connected the two different storylines, but the textile factory line sure never felt important enough to justify taking the screen time off from the more Interesting one. Especially when the ending chase scene looks so good I almost forgot about the documentary guys were in the film. If only the script incorporated the storylines better and kept the momentum going. Lastly, the lighting and cinematography are absolutely feast to the eyes.
把这么平平无奇的故事拍的还挺好看,也真是见功力!本来肯定平行不相交的两条线 - 70年代水深火热的working class和爽剧般的Rape revenge,却能交织在一起,且不显生硬。于是就有了一个领悟:一群无产阶级的先进代表,反而并不如一个失足后进女子来的那样无畏那样有力量那样砸烂狗头。也许这就是“善与力”的对立和难以兼得吧?
第一次看阿尔康导演的作品,融合纪录片和类型片元素,兼具写实和暴力,涵盖非常激进的主题表达。摄制组外拍纺织厂纪录片被禁,被强暴的艳舞女郎复仇,这两条故事线以酒店为中心,自由松散的交织,是对政府劳工部门的批评和无政府主义的歌颂。
就他妈一个脱衣舞女被强奸复仇的故事,你他娘硬生生拍了95分钟出来,强奸到报复全在后面20多分钟里……
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